The Dollheads Adol-essence Album Review – Spoiler Alert Its A 10/10

20 August 2025 rocknews

Track-by-Track Breakdown of Teenage Mayhem

The Dollheads Adol-essence Album Review: The Dollheads didn’t just grow up around punk—they were practically raised by it. Angela, Samantha, and Austin Avery, three siblings from Las Vegas, started jamming before they hit double digits. Their first band name? Ten and Under. Now, they’re tearing through stages across the UK and dropping their second full-length album, Adol-essence, on Fat Mike’s Bottles to the Ground label.

They describe themselves as a “sibling punk powerhouse,” and it fits. Their Rebellion Festival debut in 2024 was a riot of raw vocals, feminist fire, and desert-baked energy. They were so good, their encore came in the form of a return invite—back on the bill for 2025.

Angela summed up their ethos best:

“It means a lot honestly. I think it’s important to represent female-fronted bands in the punk scene.”

The Dollheads Adol-essence album review begins with sound—and what a sound it is. The guitar cuts like broken glass: sharp, deliberate, and impossible to ignore. The basslines are furious, snarling through each track with relentless energy. And the drumming? Pounding, primal, and pogo-inducing from the first beat to the last. Every song captures punk’s raw spirit and channels it into something fresh and ferocious.

The production is tight without losing its edge. Once the AirPods are in, you’re not just listening—you’re entering the mesmerising world of The Dollheads. It’s immersive, electric, and loud in all the right ways.

The Dollheads Adol-essence Album Review: Track-by-Track Breakdown

1. Don’t Let it Take Me (2:56)
Opens like a fire alarm. Urgent, jagged, and defiant—this is the anthem for anyone who’s ever felt the walls closing in.

2. See You in Hell (2:56)
A glitter bomb of rage. Angela’s vocals are pure venom, and the chorus feels like a group text you regret sending—but don’t delete. Already a fan favorite from their live sets.

3. To My Face (2:23)
Confrontation in stereo. It’s short, sharp, and lands like a slap from someone who’s done being polite.

4. So What? (2:38)
Punk apathy with eyeliner smudged across the bassline. It shrugs, sneers, and somehow still makes you care.

5. Dream (3:34)
Vulnerability with distortion pedals. A rare moment of softness that proves even punks have nightmares.

6. Adol-Essence (2:40)
The thesis track. Adolescence as chaos, creativity, and rebellion—all wrapped in a two-minute tantrum.

7. Dirty (2:43)
Feels like it was recorded in a garage with the door half-open and the cops circling. Grimy, groovy, and gloriously unwashed.

8. M.U.D. (2:03)
Blink and you’ll miss it—but it’ll still stain your shoes. A sonic mudfight with no referee.

9. Rushing (2:00)
A panic attack in power chords. The tempo mirrors the anxiety of growing up too fast and feeling too much.

10. I Can’t Stay (3:33)
The emotional gut-punch. A slow burn of frustration and vulnerability, it peels back the distortion to reveal something raw and real. It’s the kind of track that lingers long after the final chord.

11. Burger King is Hiring (2:15)
Satirical brilliance. A closing track that skewers capitalism with humor and venom. Already a meme in the making.

The Dollheads Adol-essence Album Review: Roots & Rebellion

The Dollheads grew up in a house full of punk records and instruments. Their mum played guitar. Their uncle in the Philippines was a drummer. Austin got his first kit at five. Angela learned her first chords watching her mum play. Sam cites Rancid and Flea as her bass heroes. Angela’s songwriting leans into mental health and melodic punk. Sam’s lyrics tackle feminism and identity.

“Music has always been an outlet for us,” Angela said.
“We want to share the messages we believe in with the people that like our music.”

From dancing backstage to calm their nerves to dreaming of world tours, this band is as tight-knit as they are explosive. They’ve already played Bath, Bristol, Woking, and Rebellion—twice. And they’re just getting started.

The Dollheads Adol-essence Album Review: Rock News Verdict 10/10

Spend the best 30 minutes of your summer with Adol-essence—a fantastically energetic blast from The Dollheads that hits like a punk-rock lightning bolt. Gritty, catchy, and unapologetically fierce, this album proves the trio aren’t just playing punk—they’re redefining it.

For a band this early in their career to deliver something this sharp, this confident, and this complete? It’s not just impressive—it’s a warning shot to the old guard.

Green Day, consider this your eviction notice. The Queens of Punk have arrived.

And as for our scoring system? We’re going to need a rethink. Because Adol-essence isn’t just a 10/10—it’s off the scale.