Terrorvision’s We Are Not Robots: A Joyful Return That Will Leave You Smiling *****
As a long-time fan of Terrorvision, I have to admit, I approached the release of their new album We Are Not Robots with a mix of excitement and apprehension. After all, this is a band that has been around for decades, and aside from an excellent Christmas track a few years back, they haven’t released new material in quite some time. Given how much time has passed, I wondered if they could still capture the same magic. Well, I’m happy to report that I was completely wrong to doubt them.
We Are Not Robots is a triumph—a vibrant return to form for the band, packed with the infectious energy and creativity that made them stand out in the first place. From the moment the opening track, “Electrocuted,” kicks in with its fast, electric pace, it’s clear that Terrorvision hasn’t missed a beat. The energy is palpable, and tracks like “The Night That Lemmy Died,” a raw, heartfelt tribute to the Motörhead legend, showcase the band’s ability to balance their nostalgic roots with fresh, exciting material.
The album transitions seamlessly through different moods and tempos, keeping things dynamic without ever feeling disjointed. “Daydream” is an irresistible, feel-good anthem, while “Opposites Attract” takes a more reflective approach, slowing things down without losing the band’s signature grit. I have to say, “Opposites Attract” quickly became a personal favorite—the way it blends catchy melodies with rugged instrumentation shows Terrorvision’s knack for creating depth while still being accessible. It’s a refreshing breather in the album that only enhances the overall momentum.
One of the standout tracks for me is “Baby Blue,” which somehow feels like an instant classic that’s always been a part of their discography, even though it’s brand new. The song strikes a perfect balance between fresh and familiar, showcasing the band’s ability to create timeless music while evolving their sound.
Another gem is “You Gotta Want to Be Happy,” an uplifting track that practically dares you not to sing along. It radiates positivity with an infectious chorus that begs to be shouted out loud, proving that Terrorvision still has a unique ability to write songs that are both energetic and inspiring. They’ve kept their rock edge intact, but the track also carries a sense of optimism and fun that’s impossible to resist.
The album, produced by Rick McNamara and mixed by Chris Sheldon, is tight and polished but retains the raw, vibrant energy that fans have come to expect. Clocking in at just 37 minutes, it’s concise yet packed with enough hooks, riffs, and memorable moments to satisfy longtime fans while drawing in new listeners. The themes of authenticity and navigating the complexities of the modern world run throughout the album, adding a layer of maturity to the band’s sound.
Perhaps the biggest surprise is how cohesive the band sounds, despite their lineup change. New drummer Chris Bussey fits in seamlessly, bringing a fresh dynamic that injects new life into the music. His presence feels like the missing puzzle piece that keeps the band’s momentum moving forward, ensuring that Terrorvision isn’t just reliving past glories—they’re evolving.
This album is guaranteed to boost your mental health, leaving you feeling happier and more energized.
Terrorvision’s We Are Not Robots: A Joyful Return That Will Leave You Smiling RockNews
