Joe Bonamassa Live in Nottingham: Guitar Mastery and Raw Emotion Unleashed

Joe Bonamassa at Nottingham’s Motorpoint Arena with Blistering Blues-Rock Performance
Joe Bonamassa stormed into Nottingham’s Motorpoint Arena like a six-string gunslinger, ready to set the night ablaze with his signature blues-rock mastery. The crowd—an electrified sea of die-hard fans and curious newcomers—buzzed with anticipation, knowing they were about to witness something extraordinary. And Bonamassa? He didn’t disappoint.
The night opened with the soulful strains of “Hope You Realise It (Goodbye Again)”, instantly gripping the audience with its melancholic yet powerful groove. Bonamassa’s fingers wove magic over the fretboard, crafting each note with stunning precision, while his rich vocals carried the song’s deep emotional weight. It was an immediate connection—the crowd lost in the moment, before bursting into applause at the song’s conclusion.
Without missing a beat, Bonamassa launched into “Dust Bowl,” a song that rolled across the venue like a storm brewing over open plains. Its brooding atmosphere wrapped the audience in dusty heat, and Bonamassa, ever the storyteller, used his guitar to carve emotion into every bend and phrase. He held the crowd captive, delivering a solo so intense, so raw, that when the final note rang out, the arena filled with thunderous cheers—an unmistakable display of appreciation for a master of his craft.

Next came “Shout About It,” a colourful, high-energy number that injected a fresh burst of excitement into the set. The song featured a dazzling keyboard solo from Rock n Roll Hall Of Fame inductee, Reese Wynans, adding a layer of vintage flair to the performance. As the track soared to its peak, backing vocalists Jade MacRae and Danielle De Andrea delivered a soulful, gospel-like ending that lifted the song to euphoric heights, leaving the crowd in awe.
Bonamassa then slowed the evening down with “The Last Matador of Bayonne,” a song that unfolded like a theatrical showcase of tension and release. The stage lighting bathed the arena in deep red hues, intensifying the drama as Bonamassa meticulously worked his way through the song. His guitar seemed alive in his hands, screeching with emotion as he expertly navigated the fretboard, building tension until unleashing a searing solo that sent waves of exhilaration through the audience. As the final notes faded, Bonamassa strode to the front of the stage, extended his hand, and gestured to the crowd—“Come on, what do you think?” Judging by the deafening response that lifted the roof, they loved it.
With the atmosphere intensified, the band shifted gears into the upbeat “Pack It Up.” Midway through the song, Bonamassa set his guitar down and took a sip from a can, stepping back as Josh Smith, the band’s second guitarist, took center stage. Smith seized the moment, delivering an excellent solo that showcased his technical prowess and deep blues feel. As his stint in the spotlight came to an end, the audience erupted into cheers, showing their appreciation for the sheer artistry on display.
Before playing “Heart That Never Waits,” Bonamassa paused to address the crowd, sharing a personal and humorous reflection on his history with Nottingham’s music scene. He charted his path through the city’s venues, reminiscing about playing at the Rescue Rooms and the iconic Rock City before jokingly admitting he “f***ed off for seven years” before returning to the Motorpoint Arena. The crowd roared with laughter and applause, appreciating the candidness of a blues legend who clearly holds Nottingham close to his heart.
The regular set reached its peak with “How Many More Times,” preceded by a thunderous drum solo from Lamar Carter. Pounding away at the skins, he fired up the tempo, sending waves of adrenaline through the arena. It was a moment of pure, primal rock energy—the crowd feeding off the rhythmic intensity as the band joined in, driving the song to an explosive finish. The chemistry between the musicians was magnetic, a testament to their years of mastery and synergy on stage.
Just when the audience thought the night had reached its pinnacle, Bonamassa and his band returned for an encore, much to the delight of the crowd. He took a moment to reflect on the tour so far, listing the venues he’d played—Scotland, Wales, Liverpool, and now Nottingham—before declaring that Nottingham had been the best crowd yet. The audience roared in approval, embracing the praise from the blues-rock legend.

Bonamassa then addressed a bit of controversy from his show in Wales, where fans had criticised him for not playing “Sloe Gin.” Taking their feedback to heart, he made sure to include it in the Nottingham set, jokingly describing the song as being about “getting f***ed up without giving a f***.” The crowd erupted in laughter, loving the sentiment, and as the first notes of “Sloe Gin” rang out, the atmosphere became electric. Bonamassa poured every ounce of emotion into the performance, his guitar wailing with raw intensity, his vocals carrying the weight of the song’s melancholic beauty. It was the perfect way to close the night—a stunning, unforgettable finale that left the audience in awe.
So here’s the question: unless you already have a ticket, you’ve missed out on this tour. Do you really want to miss an artist as great as Joe Bonamassa? Do you want to miss the expertly crafted songs, the raw blues power, the sheer talent of a guitarist at the top of his game? This is the kind of show that stays with you long after the final note has faded.
Look out for a future tour at a venue near you—because next time, you won’t want to miss it.

JOE BONAMASSA – 2025 TOUR SCHEDULE
EUROPE TOUR 2025
April 27 – Brighton, UK – Brighton Centre
April 29 – Oberhausen, DE – Rudolf Weber Arena
April 30 – Munich, DE – Olympiahalle
May 2 – Prague, CR – O2 Universam
May 3 – Warsaw, PL – COS Torwar
May 6 – Hannover, DE – Zag Arena
May 8-9 – Frankfurt, DE – Jahrhunderthalle
May 10 – Antwerp, BE – Lotto Arena
BLACK COUNTRY COMMUNION EUROPE TOUR 2025
June 6 – Fredericksburg, DK – Falkonersalen
June 7 – Solvesborg, SE – Sweden Rock Festival
June 9 – Tilburg, NL – 012 Poppodium Tilburg
June 10 – Hamburg, DE – Stadtpark
June 12 – Berlin, DE – Zitadelle
June 13 – Olomouc, CZ – Korunni Pevnustka
June 15 – Charlotta Valley, PL – Rock Legends Festival
June 17 – Vienna, AT – Vienna Gasometer
June 19 – Cologne, DE – Tanzbrunnen
EUROPE SUMMER TOUR 2025
July 1-3 – Cork, IE – Live at The Marquee*
July 6 – Klam, AT – Clam Castle
July 8 – Veszprem, HU – Veszpremfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica – Cavea
*Sold Out
US SUMMER TOUR 2025
July 31 – Los Angeles, CA – Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater*
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater
FALL 2025
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA
Don’t miss your chance to experience Joe Bonamassa live! For tickets, exclusive content, and updates, visit jbonamassa.com.



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My father and I attended this concert…. we sore Joe in Birmingham in 2023 and it was great the same band as this time….. we left four songs from the end because the sound up and to the side was absolutely terrible this time, for a start the drummer was overpowering all of the band and his bass drum was stupidly loud my dad said this and he plays the drums loud!
i play bass myself…. i could not pick out the bass at all because it was so lost in the mix, we did notice that quite a few other people left also…. we thought maybe they had gone for a drink or a break, but they did not return.
Then Joes vocals sounded extremely muffled and nasally. as for his guitar playing which is usually that signature joe style…. he may as well have come onto the stage with a guitar with only four frets from the body, i dont recal one moment that he actually played anywhere for long below the 12 fret.
When the whole band played it was a mush of sound it unfortunately was a terrible audio mix and the amazing this is that there were four sound engineers there…. professionals and they still could not get a good sound mix….. someone did not do a good test of the room prior to show time during sound check.
I dont think the venue hall is that good either.
in summary we love Joe so much and we felt so saddened that we felt we had to leave…..
Just an honest view from a non journalist and big fan of Joe